In another thread (which you can find here if you're curious) I accused Brewing Classic Styles of providing inauthentic recipes for several styles. I still think there is reason to take the book with a grain of salt, but the example that I thought was the most obvious one, British mild ale, turns out to be more complicated than I originally thought. I decided to start this new thread to describe a bit of research I did and discuss how we think about beer styles. First, a mea culpa. In the thread I linked to above, I was insistent that British mild ale recipes traditionally relied almost exclusively on crystal malt and sugar for their color, rarely using dark malt (aside from crystal malt). I wrote that mostly in reliance on a Ron Pattinson post that states: "Most Milds got their colour from sugar, usuall a combination of No. 3 invert and caramel. It's rare to find any malt darker than crystal in Mild." As we'll see below, this is a true statement, but I drew too strong a conclusion from it. Dark malt may have been rare, but not so rare that it doesn't pop up quite a bit in the brewing records. If you want to use dark malt in your mild ale, you have plenty of historical precedent. The following mild ale recipes (which come from Pattinson books, although not his Mild! book, which I will have to buy one of these days) all contain dark malt: 1905 Whitbread XK (2.94% brown malt—also contained invert sugar) 1915 Noakes XXX (1.54% black malt—also contained invert sugar—NOTE Pattinson states that despite the XXX designation, this may have been a Burton ale, not a mild) 1918 Courage X Ale (1.69% black malt—also contained invert sugar) 1918 Truman X (1.13% black malt—no sugar) 1918 Whitbread MA (several recipes with varying degrees of brown malt, from 8.82% to 10.73%—also contained invert sugar) 1919 Barclay Perkins X Ale (4.19% brown malt, 0.25% roasted barley—also contained invert sugar and caramel color) 1919 Courage X Ale (1.4% black malt—also contained invert sugar) 1919 Tetley X (2.04% chocolate malt—also contained brown sugar) 1919 Tetley X1 (3.03% chocolate malt—also contained brown sugar) 1919 Truman X (0.56% black malt—also contained invert sugar) 1947 Boddington XX (0.39% black malt—also contained invert sugar and caramel color) 1950 Lees Best Mild (0.88% black malt—also contained invert sugar) 1951 Boddington XX (0.7% black malt—also contained invert sugar and caramel color) 1952 Shepherd Neame SM (11.03% black malt—also contained invert sugar—NOTE Pattinson speculates this is a "special mild" based on the name but I wonder if it might have been a different style of beer, given its 25 SRM and its absurdly large amount of black malt, more black malt than several of Sherpherd Neame's stouts contain) 1955 Lees Best Mild (0.88% black malt, 3.67% chocolate malt, 1.84% brown malt—also contained invert sugar) 1958 Lees Best Mild (7.29% brown malt—also contained invert sugar) 1959 Ushers (Trowbridge) X Mild (1.74% black malt—also contained invert sugar and caramel color) 1959 Watneys XX Mild (4.2% roast barley—also contained invert sugar and caramel color—and ginger!) 1963 Lees Best Mild (6.98% brown malt—also contained invert sugar) 1966 Boddington XX (0.73% black malt—also contained invert sugar and caramel color) 1969 Truman LM (3.6% roast barley—also contained invert sugar and caramel color) A few notes about these recipes. First, I am simply reporting the percentages of dark malt that Pattinson's homebrew versions of these recipes call for. The same goes for "invert sugar" and "caramel color"—Pattinson often translates proprietary brands of sugar into those categories, so what I've included here represents Pattinson's best guess. But in any case there would have been some kind of dark sugar in the vast majority of these recipes. Second, World War I may have been an outlier in that sugar was harder to get (thanks to the U-boats). Perhaps those 1918 and 1919 recipes should be discounted somewhat, since dark malt may have been the only realistic option. However, obviously there were no U-boats by the 50s and 60s. Third and most importantly, this is not a representative sample of mild recipes! I have cherry-picked these examples by way of demonstrating that plenty of legitimate breweries used dark malt in mild from time to time. To do so I had to flip past a lot more recipes, including a lot of recipes from the same breweries listed above, that contained no dark malt (other than crystal malt) whatsoever. In fact I remain convinced that dark malt was a pretty rare ingredient in British mild. Just not as rare as I had thought. Fourth, you'll note that all but one of these recipes includes invert sugar, and the one that doesn't was brewed at the tail end of a war that cut Britain off from its overseas colonies and trading partners. In a way I think Zainasheff's real sin was omitting sugar from the recipe. Apart from the one exception noted above, I struggled to find a single example of a 20th century mild brewed without sugar. (Sugar was not nearly so common an ingredient in the 19th century, when mild ale was often quite pale in color.) So if your mild doesn't have sugar in it, it certainly seems that you have strayed from the 20th century British tradition (at least based on the brewery logs Pattinson has been able to obtain). Fifth, although these recipes all contain dark malt, you'll note that a lot of them contain relatively little of it. Only the 1952 Shepherd Neame SM, which honestly doesn't look like a mild to me, contains enough black malt to dominate the character of the beer. So anyway, where I thought there might only be one or two examples of dark malt in mild recipes, I have found quite a few. I wrote this post to correct my mistake and hopefully start a conversation about how we think about beer styles, which I'll continue tomorrow.
This is based on brewery websites rather than brewing records so might be full of crap, but here's a quick survey of the first traditional British milds that came to mind: https://www.timothytaylor.co.uk/beer/dark-mild/ "Bittersweet and tasty, with hints of blackcurrant layered through soft, dark flavours of roasted malt." https://www.thwaites.co.uk/brewery-and-our-beers/our-beers/mild/ "Mild is a curiously dark ruby mild with a hint of nuttiness but unmistakable roasted and bittersweet flavours. Brewed with only the finest dark kiln roasted malts and English barley for a bittersweet flavour..." Theakston: https://www.theakstons.co.uk/our-ales/brewery-conditioned/traditional-mild/ "...the superb flavours of this style of beer are driven by the use of top quality crystal and roasted barleys." Banks's don't say, but don't mention anything roasty: http://www.marstons.co.uk/beers/ Ditto Harveys: https://www.harveys.org.uk/beer/dark-mild Greene King sounds like it's all crystal and dark sugar, which is rare a case of them being more respectful of tradition than the competition: https://www.greenekingshop.co.uk/product/xx-mild/ Elgoods: https://www.elgoods-brewery.co.uk/product/black-dog-mild/ "The use of crystal malt and roast barley give a deep underlying characteristic flavour, which is balanced with Fuggles hops as the sole variety." One where I have seen recent brewing records is Adnams, which contains black patent. As I said in the other thread, as a drinker I still think of Mild as being about dark sugar and caramel flavours, and milds like Oscar Wilde that are brewed as "baby stout" really stick out as weird and unusual, but I think a bit of dark malt in the grain bill and a bit of smooth chocolate or coffee in the flavour is part of where the style is at in 2019.
I'm sad because I have never ever had a real authentic good version of a dark mild. Rare to nonexistent in the USA. So I'm guessing, I don't know what I'm missing. Regarding Zainasheff... heh... the less said the better in some cases such as this. In his defense, I'm sure he's in the same boat as the rest of us 'muricans. However I appreciate very much geeks geeking out. I resemble this remark. Cheers.
I will state right off the bat that I am strongly in the "mild is not a session porter and shouldn't be roasty" camp and I am heavily influenced by Ron. I think you hit the nail on the head with the sugar issue. In the early days of homebrewing and craft brewing, "bad" beer had adjuncts (and that includes sugars) and "good" beers were all malt. If a beer was dark, it had to have dark roasted malts. Anything else was unthinkable. And that is why all of these recipes came about, as far as I can tell. (Now why people thought it was okay for Belgians to use sugar but everyone else couldn't is a a mystery to me, but we'll leave that aside for now.) So maybe a tiny percentage of milds prior to 1970 were produced with dark malts. I believe Ron's analysis of thousands of brewing logs that it wasn't standard procedure. And so when my homebrew club had a dark mild competition (and later a Scottish 80/- comp) I made some invert sugar and I imported some Brupaks caramel coloring from the UK because I wanted to be as authentic as I could be. Following the Jamil path may be the way to win competitions, but that is not why I brew. Brewing historical beers is like having a beer time machine. I enjoy the research and the process. It may not win any competitions, but I brew for me and these historical recreations make me happy. And I like to be the grumpy old guy at my homebrew club who complains about modern historically-inaccurate recipes. I did get to have Ron try my Scottish 80/- beer at HomebrewCon this year and he did come back for a couple of refills, so that felt like a win to me. Long story short, brew what makes you happy.